Painting of diogenes12/12/2023 ![]() ![]() ![]() Only eight of the fifty works by Lambert in his posthumous auction sale were described in the catalogue as "After Poussin". This is not strictly true and Redgrave probably meant Gaspard Poussin, whom he later cited as Lambert's inspiration (Richard Redgrave, "Dictionary of Artists", 1874). Richard Redgrave, first curator of paintings at this museum, who was responsible for the purchase of this work, wrote that Lambert "almost always imitated Poussin" (Richard and Samuel Redgrave, "A Century of British Painters", 1866). This austere lesson takes place in the glorious surroundings of an Arcadian, perfectly compsed world, where labour and anxiety are evidently unknown. But in this picture, Diogenes has encoutered on his travels a countryman, who teaches him that he can drink from his cupped hands and has no need for a bowl (in the original literary source, Diogenes Laertius's "Lives of the Philosophers" it is a child who teaches him this lesson). This is the usual episode in the philosopher's life depicted in European art. Living in a barrel, he was visited by alexander the Great, who offered him any favour, but was simply asked to move aside as he was blocking the sun. Diogenes Looking for an Honest Man is a painting attributed to German painter Johann Heinrich Wilhelm Tischbein (1751-1829). Diogenes, a fourth-century BC philosopher, abhorred all worldly goods. Poussin's principal theme in his version of Diogenes of the possible contentment and comfort for man in nature would have appled to mid-eighteenth-century English sensibility. As the copy by Lambert is dated 1745 there is possibly a link. It is worth noting that a sale at Cock's of paintings "brought from abroad" by the dealer Andrew Hay on 19 February 1725/6 (lot 34), a "Diogenes throwing away his Dish, by Le Mere" (presumably Jean Lemaire) was bought by Lord Burlington, who was Lambert's patron from 1742, commissioning three views of Chiswick Villa. But as there is no evidence that Lambert ever visited Paris, he presumably either copied this from the engraving by Etienne Baudet, or from another oil copy in an English collection (see Blunt p.108 for known copies, although none seem likely candidates). British Museum London, United Kingdom An aged man in a white robe, with white hair and beard, sits clasping his knees, lost in thought. The original had been in the Louvre since 1665. Historical significance: This is a copy, reduced in size, of the painting by Nicholas Poussin of 1648 now in the Louvre (see A. Purchased from Mr.R Smith, Romsey, Hants, for £30 Henceforth, however, Waterhouse's interest centred more and more on gardens and foliage and figures seated on the ground, among plants and flowers". ![]() ![]() No writings of his survive, but his sayings are recorded by Diogenes Laërtius and others. 412 BC 323 BC) was the most famous of the Cynic philosophers of ancient Greece. ' Diogenes of Sinope (or Diogenes the Cynic c. Waterhouse relied on flights of steps to drive a number of his more ambitious compositions in the 1880s, most notably St Eulalia 1885 (London, Tate Britain, Millbank), Mariamne, 1887 (New York, Forbes Magazine Collection) and A flower market, old Rome (Private collection). He lit a lamp in broad daylight and said, as he went about, 'I am looking for a human. Moreover, the spatial arrangements, a sunken ledge below street-level beside a flight of steps, as well as the curiosity of the young women, who lean forward to catch a glimpse of the cranky old man, serve to underline his gloomy rejection of the world the better to serve some immediate practical good. "The treatment of marble in Diogenes, and the faithful reconstruction of the Doric temple architecture in the background (Diogenes' tub was according to tradition borrowed from the Temple of the Mother of the Gods), even the peculiarly Japanese-looking sun-shades, as well as numerous details of costume, were all executed with great care. In Waterhouses painting, Diogenes, the ancient ascetic philosopher who lived in a tub and carried a lantern, looking for an honest man. According to Angus Trumble, this painting closes the stage in his career when "the meticulous archaeological techniques of Lawrence Alma-Tadema" influenced the artist. Diogenes Jean-Lon Grme (French, 1824-1904) (Artist) 1860 oil on canvas (18th and 19th Centuries ) The Greek philosopher Diogenes (404-323 BC) is seated in his abode, the earthenware tub, in the Metroon, Athens, lighting the lamp in daylight with which he was to search for an honest man. In 1636, 12 paintings were commissioned by Charles Eusebius, Prince of Liechtenstein. In Waterhouse's painting, Diogenes, the ancient ascetic philosopher who lived in a tub and carried a lantern, looking for an honest man, provides a striking contrast to the attractive young women and their perfectly blooming flowers. The painting is part of a series of portraits of various philosophers. ![]()
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